If you read indie horror, chances are good you’ve heard of Sonora Taylor. In 2019, she released Without Condition, a female serial killer coming-of-age novel, and Little Paranoias: Stories, an engrossing short story collection, both of which have received rave reviews and labeled Sonora as a voice to be reckoned with in the horror community.
When Sonora announced a new novel publishing in 2020 and asked if I’d like to receive an ARC, I couldn’t say yes fast enough. And that’s about how quickly I read Seeing Things after it arrived on my doorstep.
Here’s what I had to say about the book:
“I am impressed with how much mystery, creep factor, emotion, and BLOOD Sonora Taylor packed into Seeing Things. For such a slim novel, it packs a punch and leaves you feeling completely satisfied as a reader. Seeing Things is at once an inventive take on ghost stories and a coming-of-age tale that weaves supernatural sightings and real-world, human horrors into a hell of a novel. Get ready to believe in ghosts and come face-to-face with the things that haunt us! Highly recommend.”
So, of course, I had to interview Sonora about her latest work…cue the questions!
TMB: What inspired Seeing Things? Did the idea develop and evolve while you were writing, or did you have it all figured out from the get-go?
ST: I first got the idea while walking in my old neighborhood. I used to see an elderly man walking by all the time. However, no one else ever acknowledged his existence. I jokingly thought, what if I’m the only one who can see him?
From there my imagination started to whir, and settled on an idea for a short story: what if a teenage girl discovered she could see the dead, but none of them wanted to talk to her? At home, I opened up Word and wrote the first line: “Ever since she was a little girl, Margaret Grace had a habit of seeing things she wasn’t supposed to.”
I wrote some passages, and had a story in mind that revolved more around grief and letting go. However, I got stuck, and set it aside. That was in 2017. Years and other projects went by, but this little story wouldn’t leave my mind. Then when Little Paranoias: Stories was out for edits last summer, I got an idea. What if instead of grief, the story was about dark secrets? And what if I made it more about the girl’s family? This helped the story take off, especially when I thought up Uncle Keith. I wrote some notes, changed the girl’s name to Abby, and soon realized this story would be a novel. And, here it is!
TMB: What was the most exciting part of writing Seeing Things?
ST: When I figured out how an integral subplot could play out. I needed something to cast suspicion on one of the characters, but nothing I thought of made sense until I had the magic “ah ha!” moment that all writers love. Sorry to be vague, but I don’t want to spoil it for people who haven’t read the book yet!
TMB: What was the most challenging part of writing Seeing Things?
ST: Writing it, ha ha. I was having a stressful 2019, and it was harder to sit down and write this one than my past two novels. I wrote it in pieces between work tasks at my day job. But, it got done. Slow but steady, as they say.
TMB: What was your writing process like for Seeing Things? Was it similar to the process for previous books you’ve published?
ST: In addition to writing it in small chunks at a time, this is the first book I wrote in chronological order. It was an interesting experience because even though I had an idea of the ending, it couldn’t be properly realized unless I wrote it in time with Abby figuring things out for herself.
TMB: How would you describe your protagonist Abby in seven words or less?
ST: Says out loud what many teenagers think.
TMB: In Seeing Things, there’s an urban legend at Abby’s school involving Locker 751. What is your favorite urban legend? And are there any that are unique to where you grew up/where you live/where you went to school?
ST: We didn’t have urban legends where I grew up. There was a ghost story associated with my old neighborhood in Leesburg, Virginia (well, there were likely several). Our elementary school was near a Civil War battleground. My fifth grade teacher told us that during the war, women would have picnics and watch the battle. Supposedly at night, you could hear the women laughing.
TMB: Seeing Things is as much a coming-of-age story as it is a ghost story. Your previous novel, Without Condition, also follows a young woman who is finding her way in the world and developing into her own person. What attracts you to the coming-of-age narrative?
ST: I’m attracted to character-driven stories, and I think a character advances like a plot when they grow up, come to terms with their situation, or otherwise shift their thinking. It’s funny, I don’t normally set out to write coming-of-age stories, but they almost always end up that way when they’re done.
TMB: Let me set the scene: Seeing Things has been turned into a movie. What’s the song that plays over the closing credits?
ST: 3 Libras by A Perfect Circle — though since the story features a teenager in the present day, it’ll probably be a cover by Billie Eilish or Halsey.
TMB: If, like Abby, you suddenly started seeing dead people, how do you think you’d react?
ST: Well, if they refused to talk to me, I’d probably be as insulted as Abby was! But yeah, I’d be scared at first, but if they weren’t going to hurt me or be jerks, I’d probably just get used to them being around.
TMB: What’s next for you? What are you working on now or want to plug?
ST: I’m writing short stories. I’m submitting them to different journals, and also planning to release a collection in late 2021. It’s called Someone to Share My Nightmares, and most of the stories will feature love and sex in addition to darkness.
***
About Seeing Things:
Abby Gillman has discovered that with growing up, there comes a lot of blood. But nothing prepares her for the trail of blood she sees in the hallway after class – or the ghost she finds crammed inside an abandoned locker.
No one believes Abby, of course. She’s only seeing things. As much as Abby wants to be believed, what she wants more is to know why she can suddenly see the dead. Unfortunately, they won’t tell her. In fact, none of them will speak to her. At all.
Abby leaves for her annual summer visit to her uncle’s house with tons of questions. The visit will give her answers the ghosts won’t – but she may not like what she finds out.
Purchase your copy of Seeing Things (available in ebook and paperback formats on Amazon).
About Sonora Taylor:
Sonora Taylor is the author of several short stories and novels, including Without Condition and Little Paranoias: Stories. Her short story, “Hearts are Just ‘Likes,’” was published in Camden Park Press’s Quoth the Raven, an anthology of stories and poems that put a contemporary twist on the works of Edgar Allan Poe. Taylor’s short stories frequently appear in “The Sirens Call.” Her work has also appeared in “Frozen Wavelets,” “Mercurial Stories,” “Tales to Terrify,” and the “Ladies of Horror Fiction Podcast.” Her latest book, Seeing Things, will be out June 23, 2020. She lives in Arlington, Virginia, with her husband.
Visit Sonora online at sonorawrites.com.
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